Motet: Veni Sanctus Spritus

Download Motet: Veni Sanctus Spritus


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  1. Motet incipit Attribution Rubric Cycle / Text ; I-Mfd [4] vr: Veni sancte spiritus ID: MWeerbeke, Gaspar van - C37a Spiritus domini replevit orbem (I-Mfd [4]) T Veni sancte spiritus: MotettiLQ Sv Ar Tv Br: Veni sancte spiritus ID: M Gaspar (index; as part of C37b).
  2. The hymn Veni Sancte Spiritus (as it is known from its title in Latin) is read or sung at Pentecost. This beautiful tribute to the Holy Spirit is said to have been written by Stephen Langton, the archbishop of Canterbury around the year This hymn became part of .
  3. Quotes from the sequence Victimae paschali laudes and the sequence Veni sancte spiritus in all voices, most prominent in the T in the following excerpts: Verse 1 of the sequence Victimae paschali laudes (Cantus ID ), The database was developed within the SNSF research project Motet Cycles (c. c): Compositional Design.
  4. Known and beloved as the “Golden Sequence,” the Veni Sancte Spiritusis a beautiful, powerfulprayer to the Holy Spirit that dates back to the thirteenth century. It is attributed to the Archbishop of Canterbury, Cardinal Stephen Langton.
  5. Veni Creator Spiritus (Come, Creator Spirit) is a hymn believed to have been written by Rabanus Maurus in the 9th century. When the original Latin text is used, it is normally sung in Gregorian has been translated into several languages, often as a hymn for Pentecost.
  6. DIAMM lists the name of the motet as Veni Sancte Spiritus. The tagging will be done on the full motet, not the constituent parts. The page title will be Veni Sancte Spiritus, as per DIAMM. Should the sequence Veni Sancte Spiritus ever be uploaded to IMSLP, it should go on this page, since it is part of the full motet.
  7. Veni Sancte Spiritus (Come now, holy Spirit) — Wolfgang Amadeus Mozart SATB vocal soli, SATB choir, 2 oboes, 2 horns, 2 clarinos/trumpets, timpani, 2 violin, viola, basso continuo — Set of Orchestra Parts — Sacred vocal music, Hymns, Whitsun.
  8. Dunstaple 's motets are among the finest of the fifteenth century, and anyone who is interested in English Renaissance music will be particularly pleased to become acquainted with Veni, Sancte Spiritus.

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